A cool rush of flagrant defiance
Unlocks a chain of misdemeanors
That fall from my tongue in a fevered cadence
My soliloquy goes uncharted
In this forest of layered beasts
Whose fragrant alliance has put me up to the mischief
I have fallen at the feet
Of one cleansing breath
That has choked the life from subjugation to rules that loathe exceptions
And I have taken flight on improbable wings
Where am I?
In the sea…floating…gracefully
Having left my shore, my home, my beginning –
my end
I am here floating
Counting on the great watery vastness
because nothing else counts
There is no future or past
that can measure against this moment of birth,
this gem of becoming,
this blossoming under the moon
There is no structure made of earth or time
that can define boundaries of love
No words to describe what it means now
What you ask of me is too small
The sea is full of air
the air is full of sea
the cosmos full of rocks and stones
that are full of atoms, full of particles, full of space
Where is there an end or a corner to pin love to
and say, “this is how high,” or, “this is how deep,” or, “this is how long?”
You ask too little of me
I love you more greatly than this
One morning an eagle flew out from the fog
And crossed my window pane
Splitting the view between treetops and sky
And then disappearing into the wings
Into sight unseen
I was rapt…I was her mark
It was my fog that held her aloft
And that lifted in her absence
Not to be earthbound
But ripped loose by talons seeking life
To bring death into life again
The soaring peal of a tailwind
Resonating the divide
Between treetops and sky
Freeing the spirit like so much fog
This painting has remained a powerful and ever-fresh source of inspiration since I bought a print of it nine years ago. That is the magic of Mary DeLave Art.
When I look at any piece of Mary’s work, the words “mystery” and “primal” leap to mind. It conjures up from within me something ancient and instinctive; something fundamental and pervasive. What is it about these paintings that is so deeply and endlessly compelling?
Is it the vibrancy of her colours, paired in such a way as to ignite themselves and each other? Maybe it’s the celebration of music, a most powerful force unseen but universally understood. Perhaps it’s the frequent presence of animals in Mary’s work, or the many wide, unwavering eyes shared by all her species that convey an intimate interconnectedness of life.
Maybe it’s the way – if you look at a DeLave painting long enough – a face you hadn’t noticed at first will often emerge, sometimes seeming part of the more obvious faces…are we separate or are we one? And perhaps there is a faint suggestion of spirits in what looks like invisible profiles kissing cheeks.
I could go on and on. Gazing at Mary DeLave’s artwork feels like an infinite process of discovery of self, of the nature of life and of something beyond. Do yourself a favour and head over to Mary’s site and feast your eyes on some gifts that just won’t stop giving!
Ovation
Will you dance if I play?
Will you sing if the music knows you?
Kiss my cheek and loose yourself to the wind?
All that is promised, my friend
Is the golden rooted hum in the lumber of my guitar
And the spirit of trees weeping Spanish Moss
Echoing their deep bass on the oaky breeze
Tickling our palate for lust for life
Only this raises the palms of the dead skyward for more
Will you dance if I play?
Will you stomp the earth into resonating vibration
So that the whole world may sing
All dressed in a dream
With spiraling notions relieving the seams
This is what we came here for
Something ancient and primal
With our skin stretched across the depths
Like a drum
Will you dance if I play?
Will you spin into arms and out again?
Will you rise with a melodious eye
And spy on the whole of existence?
Its steel strung heart of persistence
Voicing the chant of sublime being
Will you dance the transcendent carnality
Into harmonious crescendo
And raise the light into ovation?
I wrote this poem after reading about Parrotfish. They create entire beaches in Hawaii and help build reef islands in the Maldives by eating coral, digesting the stony bits and excreting them as sand. Yep, you read that right. I was fascinated by how these creatures can build whole beautiful beaches and even islands, a little bit of sand at a time. The notion then co-mingled with an image from a digital art piece I had seen that depicted an angel living on the ocean floor, and voila! Now, I’m not saying anything about the digestive habits of aquatic angels, but I had fun thinking of how we might all be elevated one grain of sand at a time.
The Message
We come face to face,
and I know there is more to this
In what world do winged creatures live in the dark deep?
I swim passed the hourglass that is shattered
– sand being more useful than time –
and I see that you are building an island
and I am your first guest – a child who knows everything to be true
How very wise of you
Though you know I cannot stay
I am the accidental messenger
The incidental friend submerged by wonder
and taken in by what should never be
If one believes the stories…but I don’t
For you are here amassing islands under sea
Proving all things possible
And when you spread your wings, do you fly or float?
Can there be any greater hope? You rise up either way
Even one grain of sand at a time elevates you
It was September when I brought home these uncommonly dark, richly coloured Stargazers. Within days, the blooms were gone. I planted the bulbs in the garden, and all winter I waited.
The lilies became a symbol for my own internal transitions. Unidentified potential skulking about in me. Restless and impatient with containment, angry and eager to burst. Bruised by the longing to be.
And at the same time, a growing sense of all that is alive in the universe that we do not see. Reading about experiments in physics demonstrating that light is sentient and, in its way, senses us. Waits in its own state of potential for us to choose and take part in the co-creation of what is and what will be.
Star Gazer
Stargazer
Underground
Earthbound
Potential seething
Awaiting warmth of sun
Churning deep plum
Like a bruise
Star
Gazing down
A cold and soundless
Observer
Waiting with hint of light
For scent of night
Alive with bloom
Weather or not
I stand
I hold to my nature
I embrace her presence
Weather or not
She is swayed
And bent
And occasionally splintered
Because we all change form
Weather or not
We persevere
We keep trying
Though the general atmosphere
Is prying at our spirit
Let love reign to the last
Weather or not
Hear the coyotes yip and bay
As the night becomes a living thing
Under the ignited charge of their calling breath
A chorus united and moving as one
A chortling wave across the open land
Feel the tingling prick of electricity
The crisp chill of primal recognition
Scoring a vibratory channel
Through the brass of your teeth
The drum of your skull
The steel of your spine
Launching you from your place of comfort
Into your tribal home
Where there is no roof
And there are no doors
And we are hunted by the grip of our howl
Riders of the Tempest: The Story of WE
by H. Hennenburg
Cover painting by Autumn Chiu @ArtChiu
There is no “I”. There is no “you.” There is only WE. “Reality is in the possibilities,” and Riders of the Tempest is a quest for the heart of what can be.
This collection of poems by H. Hennenburg tells the story of WE. Born from Supernova, we bear the imprint of the universe: the mandate to expand. Gripped by a deep yearning, we march into a tempest…a great storm…a war between our desire to expand as individuals and our desire to expand into the truth of our oneness. We believe we are mere “echoes to the sea and gathering storm,” but there is more to the universe than what we see. We are “more than the caged experience of sight.” Endowed with an infinite stream of choices, what happens in our story if we reach for more?
Download for free at: iBooks, Kobo & most Amazon stores
If you don’t use a tablet or e-reader and would like a copy, please contact me for the PDF version.
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