A river of stars finds me dreaming
Inviting space to sculpt stone into waves
Where river and red sea meet
Where so-called laws of physics
Are tossed into depths unknown
And shadows bear witness
To blood and tears fueling the mallet
The chisel strike sparking points of illumination
Into thin air
To be held aloft in a vacuum
Promising nothing
And doling out all
In a lucidity of timelessness
That gazes into the density of my abyss
And calls me beloved
One morning an eagle flew out from the fog
And crossed my window pane
Splitting the view between treetops and sky
And then disappearing into the wings
Into sight unseen
I was rapt…I was her mark
It was my fog that held her aloft
And that lifted in her absence
Not to be earthbound
But ripped loose by talons seeking life
To bring death into life again
The soaring peal of a tailwind
Resonating the divide
Between treetops and sky
Freeing the spirit like so much fog
“You are a worthless girl,” she says…and she says it again and again until the mirror cracks.
Then she studies the crack. Carefully. As it might well be a gift from beyond. Seeking a hidden message, she leans in and fingers the edges as her eyes scrutinize every jagged corner. She stands back and gazes from a distance. Arms folded. Knuckling fist to mouth…pondering.
“You are a worthless girl,” she whispers, re-examining the careless magic that summoned this unexpected visitor. “What does it mean?”, she wonders silently, eyes fixed on the glassy fissure. All day she is consumed by the question. It follows her through her tasks and obligations. It hovers over her. Slides beneath her. Envelops her.
And the crack in the mirror watches her. When she goes outside, it calls to her. And every time she returns, she studies it again.
She considers, tentatively, “you are not a worthless girl.” Then directly and squarely at the crack in the mirror, she declares, “you are not a worthless girl.”
The mirror does not mend.
But the girl…the girl is now fascinated by the possibility – by all possibility. What could come next?
“You are worth the sun and moon and all the stars in the universe,” she chances quickly.
“You are worth the planets and the ice and the oceans and every bit of life, seen and unseen,” she exclaims.
Nothing breaks, nothing mends. Everything is whole exactly as it is.
“You are worth time and immortality,” she dares. And at this, everything disappears.
She wracks her body this way and that, wanting to see every direction at once. Is it true, the nothingness? What does it mean? “What…is…it…worth?” she utters slowly as her face cracks the smile of consciousness.
This painting has remained a powerful and ever-fresh source of inspiration since I bought a print of it nine years ago. That is the magic of Mary DeLave Art.
When I look at any piece of Mary’s work, the words “mystery” and “primal” leap to mind. It conjures up from within me something ancient and instinctive; something fundamental and pervasive. What is it about these paintings that is so deeply and endlessly compelling?
Is it the vibrancy of her colours, paired in such a way as to ignite themselves and each other? Maybe it’s the celebration of music, a most powerful force unseen but universally understood. Perhaps it’s the frequent presence of animals in Mary’s work, or the many wide, unwavering eyes shared by all her species that convey an intimate interconnectedness of life.
Maybe it’s the way – if you look at a DeLave painting long enough – a face you hadn’t noticed at first will often emerge, sometimes seeming part of the more obvious faces…are we separate or are we one? And perhaps there is a faint suggestion of spirits in what looks like invisible profiles kissing cheeks.
I could go on and on. Gazing at Mary DeLave’s artwork feels like an infinite process of discovery of self, of the nature of life and of something beyond. Do yourself a favour and head over to Mary’s site and feast your eyes on some gifts that just won’t stop giving!
Ovation
Will you dance if I play?
Will you sing if the music knows you?
Kiss my cheek and loose yourself to the wind?
All that is promised, my friend
Is the golden rooted hum in the lumber of my guitar
And the spirit of trees weeping Spanish Moss
Echoing their deep bass on the oaky breeze
Tickling our palate for lust for life
Only this raises the palms of the dead skyward for more
Will you dance if I play?
Will you stomp the earth into resonating vibration
So that the whole world may sing
All dressed in a dream
With spiraling notions relieving the seams
This is what we came here for
Something ancient and primal
With our skin stretched across the depths
Like a drum
Will you dance if I play?
Will you spin into arms and out again?
Will you rise with a melodious eye
And spy on the whole of existence?
Its steel strung heart of persistence
Voicing the chant of sublime being
Will you dance the transcendent carnality
Into harmonious crescendo
And raise the light into ovation?
With increasing frequency, I see around me a new and different kind of human. Most often they are young people, though not always. They have a wisdom and emotional intelligence, I would say beyond their years, but truthfully it is beyond what has ever been typical in humans at any age. They speak a language of acceptance and inclusion that is unprecedented and embody a depth of compassion that is eye-opening. They are acutely aware of what happens in the world and they act in hope. This too sets them apart – they see, they take action. And I have very often seen them respond to resistance and misunderstanding with openness, patience and kindness while remaining steadfast to principles of common good.
This is more than the optimism of youth. Their wisdom and depth of understanding at astoundingly early ages is at odds with long-accepted psychological theories of human developmental stages. I have come to affectionately refer to them as the new evolution of human, and I believe, as they step forward, more and more of us remember who we are and the power we hold in our innate love.
So FEAR, wherever you act in the world – whether through violent animosity, complacency, psychological paralysis, spiritual imprisonment or exile – you have been put on notice. We are led by a new evolution of human and we are taking back the human race!
Look across the land and sea
A new day is dawning
There are hearts in the horizon
Sizzling hope crazed with consciousness
Turn around if you fear,
The light will come for you anyway
Embracing all you ever were or have done
You are the chosen one
With all your fits and frustrations
Ramblings and riotous furies
You, with the storm front of worries
And the long line of casualties in your wake
This is the moment of your redemption – your chrysalis
The power of all your might
Will not call back the eventide
See the crystal spark of all you become
Rise into the blinding light
You are more than the caged experience of sight
Blissful, billowing sacrifice of want
Exchanged for gratitude
Great engulfing wave exuding
Empires of joy
Images by Corinna Schenk (left) and FreePhotos (right)
To me, truth is joy, and joy is truth – one in the same. So in my view, joy does not always come in the form of happiness. It does not always contain happiness. Always, it comes with the clarity of what is true inside. And that clarity brings a feeling of freedom. Not always a celebratory freedom. Sometimes it is a freedom that is heavy with responsibility to go forth and transform something painful into something so beautiful, it is worthy of the loss that necessitated it and worthy of those who will benefit from the gift of it.
Molasses And Steel
You brought colour to my life
Black for molasses
Blue for steel
You stood for things that were not real
You stole in the morning
Then peeled away
Laying rubber, black as molasses, on scorched streets
You performed elegant and death-defying feats
You raised a glass to greet something
That would beat us into submission
You were cold, hard
Blue like steel
Peeling away the layers of skin
That healed you into my soul
Is not a goal I cherish
Or claim the wherewithal to do
But there is a piece of me in you
And whether black or blue
We both must breathe
We must leave a trace of ourselves in this world
We have to be the steel and molasses
That builds and feeds
And sweetens harsh deeds into submission
It is our composition
At least it is mine
So if I am to thrive on the brine
In the glass you gave me
Break your fast and save me
A cup of molasses
I am often grappling with the uneasy coexistence of absolute oneness and the seeming separation imposed by being in a physical body and of an individual mind – the condition of being an earthling, as it were. Here, the antidote to existential loneliness is an acceptance of a connection that is not knowable through my physical senses – a real surrender to my own beliefs. Physical touch is so much easier, yet this other kind of connection is so much bigger. But how do we live that kind of connection in our day-to-day physical world? We have to reach out our hands, answers my intuition. She gives no further instructions.
The Art Of Touching You
Telescope to the sky
A tingling darkness rises within
Shaping me tenderly
Resonating with things too far or too close for the eye to see
Things to be known instinctively
I sit alone with the universe
Embodying its great infinity
Contemplating the boundlessness
And the borders we impose
Intersecting at nowhere
And it is here that I laugh again
Because you are so close
That I can feel and know and love you
You are in my very own particles
And yet you are uniquely apart, as am I
But the art of touching you
This is the quest for which I turn to the telescope
The finer details eluding me
Out there we intersect, you and I,
At every point imagined and unimaginable
Here, I lie back and open my soul
To the immensity of that truth
My cosmology defining nothing while explaining everything at once
In this vast darkness swirling immeasurable light, I surrender and repose my longing
And reach out my hand and accept that you are here
What if we go in
What if we go under
Where sunlight doesn’t reach
What if the guards step aside
And let us enter
What if there is light still?
How will we re-configure ourselves
How will we wrap ourselves
Within and around a reality
That is unending
What if there is a way
And we have already chosen it?
What if we surprise ourselves
What if we step aside
And let the mystery prevail
What if we are not masters of our destiny
But co-conspirators
In a great gamble
Of opportunity and chance
Where risk and reward
Are synonymous with play
And the consequence is freedom
What if the guards were put in place
By our own fear
What if they were never really here?
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